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Τι (ποιος) είναι quarter tone - ορισμός
![Greek Dorian enharmonic genus: two disjunct tetrachords each of a quarter tone, quarter tone, and major third.[[File:Greek Dorian mode on E, enharmonic genus.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Greek Dorian enharmonic genus.png?width=200 "Greek Dorian enharmonic genus: two disjunct tetrachords each of a quarter tone, quarter tone, and major third.[[File:Greek Dorian mode on E, enharmonic genus.mid]]")
![Boatwright, Howard]] (1965). "Ives' Quarter-Tone Impressions", ''[[Perspectives of New Music]]'' 3, no. 2 (Spring–Summer): pp. 22–31; citations on pp. 27–28; reprinted in ''Perspectives on American Composers'', edited by [[Benjamin Boretz]] and [[Edward T. Cone]], pp. 3–12, New York: W. W. Norton, 1971, citation on pp. 8–9. "These two chords outlined above might be termed major and minor."</ref>[[File:Ives fundamental chord (quarter tones).ogg]][[File:Ives quarter tone fundamental chord arp.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Ives quarter tone fundamental chord.png?width=200 "Boatwright, Howard]] (1965). \"Ives' Quarter-Tone Impressions\", ''[[Perspectives of New Music]]'' 3, no. 2 (Spring–Summer): pp. 22–31; citations on pp. 27–28; reprinted in ''Perspectives on American Composers'', edited by [[Benjamin Boretz]] and [[Edward T. Cone]], pp. 3–12, New York: W. W. Norton, 1971, citation on pp. 8–9. \"These two chords outlined above might be termed major and minor.\"</ref>[[File:Ives fundamental chord (quarter tones).ogg]][[File:Ives quarter tone fundamental chord arp.mid]]")
![[[Quarter tone clarinet]] by Fritz Schüller](https://commons.wikimedia.org/wiki/Special:FilePath/QuartertoneClarinet.jpg?width=200 "[[Quarter tone clarinet]] by Fritz Schüller")
Βικιπαίδεια
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (aurally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament, was made by 19th-century music theorists Heinrich Richter in 1823 and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Ljubica Marić, Charles Ives, Tristan Murail, Krzysztof Penderecki, Giacinto Scelsi, Ammar El Sherei, Karlheinz Stockhausen, Tui St. George Tucker, Ivan Wyschnegradsky, and Iannis Xenakis. (See List of quarter tone pieces.)
